Iridient developer scaling method plus#

Two new monochrome toning methods including Split Toning and Mono Tone plus many presets for common toning styles such as Sepia, Cyanotype, Platinum and more.New support for saving presets (or settings subsets) to disk which makes applying only specific adjustments, such as only sharpening, to images much easier.Also adds the ability to organise the Settings popup menu by sub-folders for grouping commonly used presets together.New dialog for copying/pasting settings subsets which makes choosing multiple adjustment options much easier than before when there was only a limited set of subsets available for selection by menu item.Greatly improved preview window approximation of various 'Detail' processing stages (clarity, sharpening, noise reduction) when displaying at small scale sizes.Significant improvements have been made to many existing processing methods and controls as well including Brightness, Saturation, Contrast and Tone Curves.Greatly simplified colour management setup and configuration.Still features all the low level colour management control of prior versions (and more), but now much easier to configure for the most common use cases. One of the simplest, but most important changes is the re-working of the contrast slider to now work in an s-curve fashion rather than a linear fashion (although you can still select the linear mode). What this means in non-geeky terms is that adjusting the contrast no longer clips the blacks and the whites. The new version also ads better highlight and shadow controls, a vibrance control and a clarity slider with various modes.Īnother one of the things that I really like in the new version is the option to fine tune the demosaicing algorithm. This may seem like a nerdy thing to do, but the new options added offer some nice fine control over the image, and you can actually really tell the difference. Click on any image to adjust it to your screen size.Iridient has offered a variety of new modes for both bayer sensors, and x-trans. Post-editing was done in Iridient Developer and Lightroom 6. The idea was to show Iceland the way it looks from a trek, on the go without a tripod, away from the main tourist path. Also my apologies for those who expect large waterfalls - I have not selected any for this blog. I guess it also reflects my personal vision of landscapes too. 14 and 18-55mm lenses were used on a few ocassions when a grand view presenteditself. I was surprised to find out that X-T1 with vertical grip and 55-200 lens attached to it was used most of the time to reach as far and high/low as I could when in the mountains. There is so much beauty packed on this island that once you have visited it - it will always stay in your heart. The Icelandic part of the trip was overwelming by its combination of increadible landscapes, light, weather, textures and colours. The trip was organised by Icelandic Mountain Guides. Equipped with X-T1 and X-E1 with 55-200, 14, 18-55 and 35mm lenses and little prior experience of landscape shooting I trekked some of the most beautiful landscapes on this planet. This is the second part of my retrospective blog about a trip that took place in Greenland and Iceland two years ago.

Iridient developer scaling method